2021 Julia’s voice transforms under Lena’s fingers, when she turns the knobs of the effectpedal, adding reverb, delay, and distortion. After Touch combines a technical explanation of how virtual 3D sculptures arecreated, with a narrative about the unseen forces shaping Joep van Lieshout’s PlaneTree monument at Museum Perron Oost. Although the monument itself, as a…
The Floor‘s Ocean addresses the Dutch identity of technological “warriors against the risingwater level” by taking a closer look at the province of Flevoland; an area of 1400 squarekilometers that has been reclaimed from the Zuiderzee in 1986 after an intensive process ofdrainage and dike building, using state of the art technology. The creation of…
performance, 2022 Our Nature combines choreography, piano improvisation and videos of historicalarchitectures, unveiling the interplay between the present and the past. The humanhand acts as a symbol of agency and influence, inviting the viewer to consider theconnections between human actions and the unfolding of history. In Our Nature, Juliaemphasises improvisation and play as crucial elements…
2021 3D printed sculpture and video essay Ruin Figments and Reconstructed Memories consist of a 3D printed sculpture and video essay. The work is Centred around a ruin folly (a “fake” ruin) built in Vienna’s Schoenbrunn Palace Park in the year 1778, depicting the remains after the Roman siege of Carthage in 146 BC. Through…